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True Blood’s Queer Legacy
Season 7 of True Blood—HBO’s Southern gothic fantasia on supernatural/human relations—began on Sunday, and, understandably, my Facebook feed was spattered on Monday with expressions of discontent. For an opening sally into the series’ concluding 10-episode run, the premiere was frustratingly unfocused and horizontal , substituting a fuzzy drone of Crisis!!! for any exploration of larger themes, truly compelling stakes, or even a tantalizing new addition to the “supe” menagerie. And yet, I will surely follow Sookie Stackhouse and Bill Comptonto the end, as I’m sure many of my Facebook co-watchers—almost all same-sex attracted people—will do as well, for one simple reason: Despite going off the rails somewhere on the way to fairyland seasons ago, True Blood remains one of the most dependably and grippingly queer shows on television.
Of course, that show author Alan Ball had LGBTQ politics at least somewhat in mind when conjuring the humid Louisiana town of Bon Temps from Charlaine Harris’ mystery novels and his retain imagination is not news. Since its start, True Blood has been widely understood as a kind of allegory for the homosexual rights struggle in the United States. In t
Is True Blood About Gay Rights? Fan Theory Debunked
Despite some evident parallels that have been drawn by fans of the series, show creator Alan Ball insists that True Blood isn’t an allegory for homosexual rights.
True Blood, created by Alan Ball and based on the book series by Charlaine Harris, is a show about how vampires, thanks to the life of a synthetic blood substitute called TruBlood, “come out of the coffin” and attempt to assimilate with the human world. The illustrate managed to gather and retain a dedicated fanbase that stuck with them through the highs and lows, not minding when a bad storyline was forgotten about here and there. Language like this is part of why some examine the show's commentary on the LGBTQ community to be evident. With lines like “come out of the coffin,” who could disagree?
Related: True Blood: Everyone Who Became a Vampire
Creator Alan Ball heavily disagrees that the show is an allegory. In an article with the New York Post, he said: “To look at these vampires on the show as metaphors for gays and lesbians is so simple and so easy, that it’s kind of lazy.” He also stated the allegory could be “very homophobic because vampires are dange If you’ve been keeping up with True Blood, you might remember James, one of the show’s many hunky (and usually naked) vampires. James was the one who was having prison sex with Jessica until Vampire Bill turned into undead Jesus or something and they all broke out because they were able to step in the sunlight . . . Look, Season 6 was fucked up; let’s leave it at that. Anyway, in Season 7, James’s original actor — Luke Grimes — left the series and he was recast, which no one really seemed to notice. Partly because the period between seasons was pretty lengthy and partly because he was a tertiary character in a series already bursting at the seams with characters. So what’s the deal with the unceremonious recasting? Skillfully, according to a describe from BuzzFeed, Grimes left the show due to creative differences over an upcoming storyline that would have seen him and Lafayette (Nelsan Ellis) hooking up. Apparently, Grimes tried to renegotiate the arc, suggesting that “he would be willing to play the role if Lafayette were attracted to him, but not if the attraction was mutual.” But wouldn’t you know it, it didn’t come to hand over, so Grimes was sent off. The sad thing is, this i Welcome to Season Five of HBO’s punch vampire dramedy True Blood. This exhibit has become synonymous with summer, so put on your bikini, pop uncover a frosty bottle of Tru Blood and soak in the deadly rays of Bon Temps’ early November light. Do you all remember what happened last season? Personally, I had to watch last season’s finale today to remind myself just how loopy this show is. Think of poor dead Marnie (aka Aunt Petunia)? Remember poor gone Jesus? Remember impoverished dead Nan? Recall poor dead Tara? Remember Lafayette‘s frohawk? That’s a lot of death and questionable hair choices for one season. Will it all be resolved in tonight’s episode? Let’s find out! Warning: Spoilers ahead! “Turn! Turn! Turn!” carries on the tradition of naming episodes after songs, and Eric carries on my tradition of hiring fiery, Nordic-looking housekeepers at the FBOTU compound. He cleans up Nan’s goo at super vampire speed while Bill leaves a message for Jessica. He calmly explains that he’s going out of town and that she can apply the mansion. By “out of town,” he means “running for our undead lives,&